Two thousand years ago the roman Architect Vitruvius explained
that for a building to be described as “Architecture” it must fulfil the
requirements of “commodity, firmness and delight”. In other words, it is not
good enough for a building simply to stand and to be functional. It must
deliver “delight” to the users of the building. It must deliver “delight” in
the same way that a great painting, or a great sculpture, or a great piece of
music delivers “delight” to its audience. The difference with Architecture of
course is that it is a functional, public art form that, in a very real way,
touches the lives of the people that use it. But, the great advantage and
significance of this art form is also its great weakness. Because, while those
artists who paint with oil on canvas are left to do their own thing,
Architects, are continually harassed by bureaucrats and salesmen claiming to be
experts in “firmness” or “commodity”. The debate and discussion around
“delight” and “what is beauty?” is largely abandoned in favour of arguments
that can be supported by “measurables”: tangible things that can be quantified
and counted. What strength of beam? What level of compaction below the surface
bed? What length of escape to the fire exit?
But why, you may ask, am I even bothering you with this
discussion? Is this not rather for Architects and Artists to discuss among
themselves in coffee shops and libraries? I would say: “No! Absolutely not!”,
because architecture, like other art forms, can only exist as art when it conects
with the pubic that view it and use it. Great architecture needs great
Architects, but only as much as it needs a public to appreciate it and powerful
people to commission it.
Great architecture today, as always, happens only with the
commitment and dedication of private sector investors, public sector developers
and civic minded wealthy families. Very often individuals in these institutions
make extraordinary sacrifices and take big risks in order to promote the idea
of great architecture in an environment hostile to “outputs” that that which cannot
be readily measured. An entire municipality or department of government can
achieve a “clean audit” for ten years in a row without building one great piece
of architecture. A property developer listed on the Johannesburg Stock Exchange
can deliver excellent results for 20 years without building one great piece of
Architecture. Wealthy families can show a much faster return on their money
than by investing in great Architecture. Yet still, selfless individuals in
these institutions, dedicated to the idea that there is more to this world what
can be easily measured, have consistently seen to the implementation of great
works of Architecture by great Architects. Because of this fact and in honour
of these extraordinary people, every two years (for much of the 112 that the
Eastern Cape Institute of Architects has been in existence), we pause to
recognise and acknowledge great Architecture of our region. This process of acknowledgment
culminates in an awards ceremony next week and a public exhibition of all the
works of Architecture that put themselves forward for public scrutiny in the
hope of receiving a much coveted “Award of Merit”.
This year the public are invited to view this exhibition of
great work. All of this happens in the
dignified setting of the Port Elizabeth Opera House on 14, 15 and 16 October in
an event called the “Urban Assembly”, which not only has three different
exhibitions running simultaneously, but also has debates, speakers and activities
running in the ornate and beautiful spaces that comprise africa’s oldest Opera
House. This event seeks to elevate the discussion around the building of great
Architecture and by extraction the building of great cities. It is for people
that believe that we are able to transform the cities of our future and for
people that know that, as a country and as a city we already have all the
essential ingredients to build a great urban work of art in which we can all
live our lives sustainably, efficiently and with the joy and pride that comes
from being of a place that resonates with our contemporary culture.
Make a point of being there.
Tim Hewitt-Coleman 9 10 13